Tomorrow Is A Highway- 21st Century Cynicism & The Antidote

“Tomorrow is a highway broad and fair”.

Lee Hays opening line to a song I sing on the new EP.

It sounds naive, almost childlike, but that is why I sang it; because it isn’t Hays’ lack of insight which makes it that way- it is our cynicism.

We have become so embittered as a society, so beaten down, that this cynicism has embedded itself in our belief system and become so entrenched that our solution to a loss of faith in politics is to elect a proven liar as prime minister. Johnson isn’t there on hard-earned merit, he is there because we have given up.

I believe songs are there to press our reset button; not to tell us things we think we already know about the times we are living in, but to take us back to the distilled essence of what we believe and why we believe it.

They are a message from the past, yes, but they are something more- they are the key to unlocking the future.

Hays didn’t write that lyric because he was an innocent. He wrote as a man who was physically and verbally assaulted for his politics, who was blacklisted as a musician and tried under McCarthyism. He wrote because the purity of those words took him back to why he chose to fight in the first place, like a prisoner alone in a cell finding hope in the light creeping through a crack in the wall.

The same is true of many of those songs.

“Solidarity forever for the union makes us strong” Ralph Chaplin wrote. Yet he wrote it at a time when being a trade union member made it harder to find work, and could get you beaten, ostracised and even killed by armed thugs in the pay of bosses and under the protection of the police. We may look at our unions today and see leaders more concerned with protecting their OWN jobs than they are ours, but it is our cynicism doing that; Chaplin’s message remains the same, if we DO stand together, if we DO demonstrate unity in the face of exploitation, the union STILL makes us strong. We have just lost the ability to believe it.

And that is where the secret lies.

Belief.

The original protest songs often took their music from well-known hymns of the day and in doing so subliminally transferred some belief in a better future from the churches to the fields and the factory floors. As we have become more secular as a society, so have we lost that belief, not just in an abstract concept like God, but in a collective purpose, and ultimately in ourselves.

We need to press reset.

We need to remind ourselves we stand on the shoulders of giants who took the insults, the beatings, the jail time, the misery, the death and the war and were STILL able to sing “We Shall overcome some day”.

And maybe then we will hear what so many miss.

That the emphasis in that song is on the word ‘shall’.

We SHALL overcome.

It was not written in a moment of whimsical fancy.

It is a threat.

So put down your baggage. Pack away your cynicism. And press reset.

Tomorrow IS a highway broad and fair.

A brave man devoted his life to making sure future generations heard that and stayed strong.

So let’s.

We Shall Overcome EP: The Rhymes & The Reasons

The ‘We Shall Overcome EP’ landed on CD yesterday, and all pre-orders shipped First Class this morning so will be landing on doormats from tomorrow.

For years I have been chewing over the idea of a record of covers, not just ANY covers but songs written in the golden age of protest music and sung in the corners of fields, on picket lines and factory floors, to help Educate, Agitate, Organise, and to inspire.

Many of the songs I considered were Little Red Song Book staples, from the days when the IWW helped spread them through their regular publications, because they understood the unique way in which music helps not only to convey a message, but to hammer it deep into the hearts and minds of those who raise their voices to sing.

Some of these songs are very well known. ‘Solidarity Forever’ and ‘Which Side Are You On?’ both performed here with the Hatfield Brigade, are well known lefty anthems with lyrics by Ralph Chaplin and Florence Reece respectively, which I’ve adapted for the current political climate; and civil rights era hymn ‘We Shall Overcome’ I played straight because that’s how it works best, but the presence of the mighty Commoners Choir makes it a magical close to the record.

Two more are less well known. ‘Tomorrow Is A Highway’ was a Lee Hays lyric Pete Seeger set to music; and ‘Step By Step’ a haunting metaphorical lesson in the power of unity. Both I adapted the lyrics to, and both are brought to life by Rebekah Findlay’s violin.

Rebekah takes lead vocal on ‘Bread & Roses’ bringing that lyric to life over a Phil Spector meets Jesus & Mary Chain backing track; while the EP is completed, perhaps incongruously, by my version of Paul Simmonds 1986 The Men They Couldn’t Hang classic ‘The Ghosts Of Cable Street’; and a massive thank you to Paul for his permission to use it here and stand it shoulder to shoulder with such legendary songs, exactly where it belongs.

The idea behind this EP was to save as much money as I could through 2019, then stand the cost of pressing it and give every penny it raises away to We Shall Overcome causes fighting on the front line of poverty in some of our most forgotten communities. I think the original writers and performers would approve of their work being put to such use in the 21st Century. I hope so anyway.

Primarily the EP will support my new #NotOnOurWatchCampaign helping people bridge the gap when the money runs out. In this way I hope to keep lights on, homes warm, and food on the table for folks who would otherwise be sat cold and hungry in the dark.

The EP is available to stream, download, and buy on CD here:

https://joesolomusic.bandcamp.com/album/we-shall-overcome-ep

and your support would be massively appreciated.

NEW MUSIC 2020

There are four new releases en route in 2020 so here’s a quick heads-up on what’s imminent incoming.

First up is the 7-track ‘We Shall Overcome EP’ which is available to download now with CD copies landing next week. I recorded these protest covers with the principle aim of selling it to raise money for #WSO2020 causes and the brand new #NotOnOurWatchCampaign. Six are songs associated with Pete Seeger, and the seventh The Men They Couldn’t Hang‘s ‘Ghosts Of Cable Street’ which Paul Simmonds kindly gave me permission to include here. I had help from The Hatfield Brigade on Solidarity Forever’ and ‘Which Side Are You On?’; Commoners Choir on ‘We Shall Overcome’; and there’s some absolutely sublime Rebekah Findlay fiddle on ‘Tomorrow Is A Highway’ and ‘Step By Step’. The CD is a fiver, and the download ‘Name Your Price’, but every penny will go to supporting WSO causes wherever need is greatest.

You can bag that here:

https://joesolomusic.bandcamp.com/album/we-shall-overcome-ep

Second is the ‘No Pasaran: Special Edition’ which will land next month. The original album sold out late last year, but I had more songs which helped further to tell the story of Hull’s volunteers and I wanted to include them as bonus tracks. So there are five additional songs again featuring Commoners Choir and Rebekah Findlay, but also with a very special Solidarity Choir featuring relatives of Hull’s International Brigade heroes joining me in a call-and-response tribute to their forefathers. There is brand new artwork by Kevin Pearson which is also available as a limited edition signed and numbered A4 print if you’re quick. You can pre-order the CD, download, or bag that artwork here:

https://joesolomusic.bandcamp.com/album/no-pasaran-special-edition

Third on the roster is the brand new Lithium Joe single ‘Answer Machine/Forget To Remember’ which we finish on January 30th and will get out there as soon as we can. The backing track is almost complete, so it’s up to Dave Foy and meself to get our vocals down and make the thing fly. Bonus track on the CD will be ’29 More Stolen Summers’ an acoustic track featuring Rebekah on fiddle.

The fourth will follow in the Summer. It’s a 10-track CD of songs written as we pick through the rubble of one struggle and dust ourselves down for the next. With the working title ‘Keep On Fighting’, I’ll be chiselling away at the demos and re-records over the coming weeks before the gigs make recording impossible once more. You can hear the early versions here:

https://joesolomusic.bandcamp.com/album/keep-on-fighting

I’ll also be working on a double-CD compiling my best work so far and putting together an accompanying songbook. This may take some time though so early 2021 is more realistic than this year…..but then who knows.

Please support these releases if you can. As ever, a fiver from every CD sale goes to WSO causes, in particular to Pauline Town to help fund her extraordinary work fighting homelessness in Greater Manchester; but on top of that it is so good to travel miles and miles from home and hear people singing along with every word. That is an incredible feeling I will never tire of, and it can’t happen unless you know the stuff!

Plenty to be going on with there I reckon.

But there’s plenty more left in me yet.